Related Paintings of unknow artist :. | Arab or Arabic people and life. Orientalism oil paintings 114 | Lasaguadoras | The Archangel Michael | resor ut i det okanda | To grand hojder an giraffe nar no other landvarelse wonder utovande of slaktbestyren |
Related Artists:
Friedrich Herlin
(c. 1425/30 - 1500) was a German painter. His earliest known work, depicting scenes from the Life of the Virgin, is dated 1459. A signature on an altarpiece in Nördlingen, dating it to 1462, identifies him as being from Rothenburg, as do citizenship documents from 1467. Nevertheless, it is possible that he lived there for only a short time, and that his origins lie in Ulm, where a painter named Hans Herlin lived and worked from 1449 until 1468. Stylistically, he borrowed much from Rogier van der Weyden, indicating a great deal of familiarity with the art of the Netherlands and of Cologne. The sculpture attached to the altarpiece of 1462, though officially listed as by the so-called "Master of Nördlingen", has been tentatively ascribed to Nicolaus Gerhaert, which if true would indicate extensive contacts to the highest artistic circles of the era. Little else is known of Herlin, save that he died in Nördlingen in 1500.
Benjamin C.Brown
American,is best remembered for his Impressionist renderings of the Sierra Mountains and poppy-filled spring meadows.1865-1942
Pier Francesco Mola
(9 February 1612 - 13 May 1666) was an Italian painter of the High Baroque, mainly active around Rome. Mola was born at Coldrerio (now in Ticino, Switzerland). At the age of four, he moved to Rome with his father Giovanni Battista, a painter. With the exception of the years 1633 - 40 and 1641 - 47, during which he resided in Venice and Bologna, respectively, he lived for the rest of his life in Rome. His early training was with the late mannerist painter Cavalier D'Arpino, and he worked under the classicizing Francesco Albani. His masterpiece is the fresco in the gallery of Alexander VII in the Quirinal Palace Gallery, entitled Joseph making himself known to his Brethren (1657). He made six versions of The Flight into Egypt, the earileist and best of which is the first one, The Rest on the Flight into Egypt. He was elected Principe of the Accademia di San Luca, the Roman artists' professional association, in 1662, but his last years were neither profitable nor prolific. One of his pupils was Antonio Gherardi. With his looser style and handling, more naturalistic palette, and interest in exploring landscape elements, Mola rebelled against the prevailing, highly-theoretical classicism of such leading 17th-century Roman painters as Andrea Sacchi.